翻訳と辞書
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・ From the Gutter to the Stage
・ From the Heart
・ From the Heart (Ankie Bagger album)
・ From the Heart (Another Level album)
・ From the Heart (Another Level song)
・ From the Heart (Doug Stone album)
・ From the Heart (Etta Jones album)
・ From the Heart (Hank Crawford album)
・ From the Heart (Katherine Jenkins album)
・ From the Heart (Tom Jones album)
・ From the Heart (TV campaign)
・ From the Heart of a Woman
・ From the Heart of Town
・ From the Hills to the Valley
・ From the Hip
From the Hip (film)
・ From the Hip (Frank Marino album)
・ From the Hip (Section 25 album)
・ From the Holy Mountain
・ From the Hot Afternoon
・ From the House of the Dead
・ From the Hut, to the Projects, to the Mansion
・ From the Icy Reaches
・ From the Inner Circle
・ From the Inside
・ From the Inside (Alice Cooper album)
・ From the Inside (Laura Pausini album)
・ From the Inside (Lynn Anderson album)
・ From the Inside (Poco album)
・ From the Inside (song)


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From the Hip (film) : ウィキペディア英語版
From the Hip (film)

''From the Hip'', is a 1987 courtroom dramedy film directed by Bob Clark from a screenplay by Bob Clark and David E. Kelley. The film stars Judd Nelson, Elizabeth Perkins, John Hurt and Beatrice Winde.
==Plot==
Fresh out of law school, Robin "Stormy" Weathers cannot stand the tedium of case filing and research. Desperately wanting to "practice law" and go to trial, one morning he intentionally withholds the fact that a trial is scheduled to begin that very afternoon to compel his superiors to let him try the case because he is the only one familiar with the facts of the case. During his meeting with the client (the president of a bank who intentionally struck another banker), the banker declares the "simple assault case" to be a no-winner (explaining that he hits people all the time), but wants the one-day trial to somehow be stretched to three days to run up the other banker's court fees.
Weathers prolongs the case by creating a 1st Amendment constitutional challenge as to the admissibility of the word "asshole". Escalating the case into a media frenzy, the senior partners of the law firm are embarrassed by Weathers' behavior and unconventional methods and try to fire him. The client retaliates on Weathers' behalf threatening to take the bank's business elsewhere. Weathers appears to be crafty and intuitive, but in reality, had conspired with the other attorney (a friend of his) to stage a brilliant legal engagement to make themselves look good. Almost like a gameshow, Weathers wins the trial and in doing so attracts a plethora of new clients to the firm which skyrockets him to be a junior partner.
In an act of unfair retaliation, Weathers is assigned to be lead defense counsel in a first-degree murder case involving a university professor (Benoit) who is almost certainly guilty of bludgeoning a prostitute to death with the claw of a hammer. Benoit wanted Weathers because he saw him in the previous case. Weathers takes the case and his loud and odd courtroom behavior soon amazes the judge, the spectators and sometimes embarrasses his girlfriend. Determined to impress his employers by winning a verdict of not guilty, no matter what, his courtroom antics soon visibly gain even the jury's favor and raise the likelihood of acquittal.
Weathers unsuccessfully tries to get Benoit to accept a plea-bargain to manslaughter charges and soon discovers that Benoit is guilty by a veiled confession where Benoit vividly describes to him the "clarity of mind" it takes for a man to be able to split someone's skull open with the claw of a hammer while the person remains alive. Weathers becomes conflicted between his sense of duty and ethics and his moral obligation to see Benoit pay for his crime. Despite the possibility of being disbarred, he decides to antagonize Benoit into a confession on the stand.
Benoit is decidedly found guilty.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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